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_ Interviewed in June for Kritzerland's latest CD release, the original recording for Stephen Sondheim's Evening Primrose, Bruce Kimmel provides some backgound on this rare Sondheim work that's pretty much been hidden from view since it's telecast in 1966 on ABC, as part of the network's short-lived Studio 67 series.

 

__Interview with Doc Martin composer Colin Towns.

 

__In Part 1 of a two-part series, veteran composer Lalo Schifrin talks about his music for the comic book series Spooks, and the latest release from Aleph Records: the complete score to Sudden Impact.

 

__In the second of our three-part interview with Monstrous Movie Music producer David Schecter, we discuss the premiere release of Ralph Carmichael's original score for The Blob (1958).

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__Herman's Stein's robust dramatic score for Charles Beaumont's The Intruder (1962) is discussed in the first of our three-part interview with Monstrous Movie Music producer David Schecter.

 

__Soundtrack producer Tim Ferrnate discusses Elysee Productions' debut CD release, Tito Arevalo's Mad Doctor of Blood Island, and the nature of releasing rare soundtracks composed for cult exploitation shockers.

 

  January / February 2009, Issue 86, "The Frequency of Fear " - Interview with Elia Cmiral, regarding his scores in the horror realm, including The Deaths of Ian Stone and Splinter.

 

__ Composer Elia Cmiral (Pulse) discusses his latest film scores for two movies in the latest After Dark Horrorfest film festival, Dario Piana's The Deaths of Ian Stone, and Mark Young's Tooth & Nail.

 

  December 2007, Issue 72, "The Lighter Side of Dexter " - Interview with Daniel Licht, the inventive composer of the hit TV series Dexter.

 

__ Original full-length Q&A with Jaye Barnes Luckett, who talks about her scores for May, Sick Girl, and Roman - her new film music CD, and the sharp lesrning experience that came out of her involvement with Lucky McKee's debut studio film, The Woods.

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