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DVD: Dimples (1936)
 
       
Review Rating:   Standard  
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D
   
Label/Studio:
Twentieth Century-Fox
 
Catalog #:
2002970
 
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A
Region:
1 (NTSC)
Released:

January 29, 2002

 

 

 
Genre: Family  
Synopsis:
Dimples is adopted by a wealthy lady, liberated from a life as a street singer/dancer, and finds success in an upcoming production of "Uncle Tom's Cabin." No, REALLY.  

 

 

Directed by:

William A. Seither
Screenplay by: Arthur Sheekman, Nat Perrin
Music by: various
Produced by:

Darryl F. Zanuck

Cast:

Shirley Temple, Frank Morgan, Robert Kent, Helen Westley, Astrid Allwyn, Delma Byron, Berton Churchill, Paul Stanton, Julius Tannen, John Carradine, Billy McCain, Jack Clifford, Stepin Fetchit.

Film Length: 78 mins
Process/Ratio: 1.33:1
Black & White + Colourized
Anamorphic DVD: No
Languages:   English Mono & English Pseudo-Stereo
Subtitles: English, Spanish
 
Special Features :  

DVD has Black & White + Colorized versions

 
 
Comments :

Part of Fox' Shirley Temple wave, "Dimples" showcases the amazing talent of child star Shirley Temple, who sings, tap dances and effectively acts through an otherwise standard family feel-good studio vehicle. Rated a cautionary PG, the film is also a curio of the times, preserving the ugly black stereotypes of the era as evidenced by the horrifying persona - lazy, dim-witted and clumsy - realized by Steppin Fetchit. The film's finale - a hand-waving minstrel show, with Fetchit himself in blackface, is pretty unsettling.

Nevertheless, Fox' unedited presentation of this classic Temple vehicle, bolstered by a fine supporting cast (particularly Frank Morgan, as Temple's thieving grandfather), is available in 2 versions on the disc: the original black and white version is rather grainy, and there's an odd haze at the edges of several wide shots; the colorized version uses the same limited, pitiful colour spectrum which characterizes the computer-coloured software of the 1980s, and the active noise reduction gives the transfer a smeared texture. The full screen transfer is also very close to the edge, slightly cropping the End Credits roll, with visible bending at the edges.

The original mono mix is fairly coarse, and distortion is evident in louder dialogue passages, and Temple 's singing. The pseudo-stereo mix minimizes these flaws, but the trade-off is an unpleasant drainpipe effect, with sound effects deeply affected by the rather cheap process.

 

© 2002 Mark R. Hasan

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