Theodore Shapiro’s score for this live action version of Jeff Kinney’s illustrated novel is based around a vibrant, addictive theme which manages to work in every conceivable permutation, no matter how eccentric.

Somewhat reminiscent of Vince Guaraldi’s Charlie Brown theme, the Wimpy theme is primarily played on piano or keyboards, but its best incarnation is in the title track, “Late for School.” The short cue is propelled by fat, thumping bass, a Latin rhythm, and the theme performed on and de-tuned piano – which seems perfectly suited for the woes of a sixth grade kid and the idiotic things he has to contend with. Even when surrounded by lovely orchestral elements (“Intellectual Wasteland”), the wonky piano provides a sharp commentary on the film’s grade school setting.

Like Idiocracy (2006), Shapiro’s writing is lush and vivacious, and the most enjoyable cues are often for the simplest moments, such as “That Chicken’s Mine,” a stalking cue with thick string plucks, bongo taps, and little gestures on violin, cymbal, or piano covering the progression and success of the action.

Most of the score uses orchestral elements (“Into the Woods” features a brief choral sample), though a few cuts have electronic or rock elements (such as “Booger Chase,” with electric guitar, drums, and chorus), and broad, comedic tracks feature emotionally giddy elements, like a ridiculously cheerful children’s chorus in “Apple Fight.”

The bulk of the score is comprised of short cues, but the album’s sequencing is fairly smooth, and there are many moods and theme variations that ensure Wimpy is an engaging gem.

© 2010 Mark R. Hasan